Betsy Youngquist admits to a fascination with “the intersection of humans, animals, and mythology.” In 2004 her work took a critical turn when she moved away from beaded paintings and began creating the sculptural mosaic figures that have become her signature.
The remainder of this archived post is for Members Only. Click here to become a member or to get a one day pass. If you are a member, please login to view the post.
[Content protected for Archives members only]
