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Sometimes the well is dry. You know the well I mean. The one we dip into to nourish our creative self, to replenish our physical self, to buoy our spiritual self. I’ve been feeling parched for weeks – could you tell?
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Michihiro Matsuoka manipulates clay until the earthen material looks like aged copper and other discarded metals. Matsuoka’s hybrid world is a fusion of animals and machinery in steampunk-like fashion. The artist’s attention to detail as he formed and painted the menagerie is so meticulous that I thought I was looking at recycled sheet metal.
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Germany’s Simon Schubert doesn’t need a pencil to sketch his ideas. Schubert ‘draws’ room interiors by executing a series of folds and creases on a sheet of paper, achieving a result that isn’t quite origami – it looks more like embossed paper.
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