Michael deMeng is a mad alchemist. When the assemblage artist finds a discarded shoe or an empty sardine can he doesn’t see garbage, he sees a personal shrine. deMeng’s gift, transforming the common into the sacred, becomes clear when you study pieces like ‘Urning Rubber’, a mixed media reliquary meant to hold treasured objects, and ‘Hell Mask’, that boasts teeth made from a row of matchbook matches.
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It’s so great you are featuring Michael’s work especially some I haven’t yet seen. What a treat!!! I was lucky to see (and even hold!) some of Lilith’s daughters. That is a brilliant piece most definitely and so inspiring!!!