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I don’t know if it was the oversized fruit, the prickly seed pods, her ability to make objects into environments or the artist’s own words that made me squeal with delight – perhaps it was the correct combination of all of these.
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When Colin Nesbit saw a large grouping of Tyler Meadows Davis’ sculptures he commented that “the exhibition seemed like a “sort of cemetery” in the sense that these pieces resemble grave markers, homage to the experiences, choices, and even mistakes of some unspecified group of individuals.”
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Jillian Palone‘s website refers to her as a resin and metal artist, but the Kansas native also uses paperclay, rubber and wood, manipulating the surfaces of the wearable art forms by carving quirky patterns and textures and saturating them with color.
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