Yearly Archives: 2010

dina varano – holiday night in the shop

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As an apprentice to Dina Varano I have spent time in her studio (see previous posts here and here) and in her shop, where she sells her creations and other treasures from around the world.

C’mon in – we’re open!

The shop that bears Varano’s name is located in the historic town of Chester, on the west bank of the Connecticut River, with a picture-postcard Main Street. Chester merchants host a series of events throughout the year and I’ve been lucky enough to attend two of these events, including Holiday Night earlier this month.

Shoppers came in all sizes, some as colorful as the ornaments on display {click images to enlarge}

Imagine a Currier & Ives Christmas scene come to life – minus the horse drawn cart – but complete with buoyant neighbors, Christmas carolers, festive decorations, children playing in the street, a tree lighting ceremony, contagious celebratory atmosphere and candle-lit luminaria lining Main Street.

You never know where you might find Holly and Mistletoe at Dina Varano

Chester might be a small town, but the residents come out en masse to support their local merchants – the streets and shops were overflowing with people and cheerful conversation.

So much to see in Varano’s shop, so little time!

Dina chats with a customer

Why am I going on and on about this small town event (even if it is in a quaint New England town)?

Handcrafted ornaments for sale at Dina Varano

Aside from the fact that there were worldwide crafts to ogle and Varano’s complete line of jewelry, I was witness to an important feature of selling hand crafted work that I want to share. Hmmm…many of you might even already know this, but it bears repeating, really it does.

Could that be daMuse in the mirror? Maybe…

My job on Holiday Night was to take pictures and document the event for Dina. I tried to melt into the background (not an easy task in a small space), moving quietly around the shop, observing the steady stream of customers and neighbors who stopped in to share a glass of wine, pick up a gift or speak to Dina about a custom piece of jewelry they wanted her to make for a loved one.

Dina Varano

In the four hours that I was there, I marveled at Dina’s energy and enthusiasm, spending time with almost every person who walked through the door (and there were dozens), often greeting them with a hug, always greeting them with a smile and kind words.

{click to enlarge}

I heard stories. Stories of how Dina had created the perfect gift for a fiance, wife, mother, daughter, lover. Stories of how Dina had taken a beloved piece of jewelry that had lived out its useful life and found a way to incorporate pieces of it into a new design so that it lives on. Stories of how Dina’s shop has been a go-to place to shop in Chester for 15 years.

Dina has built a loyal following of collectors, customers and friends – not only because of the quality of her work – but also because she has spent years cultivating relationships with customers in her community and beyond. Down to earth, authentic, at-the-ready with ideas and flexible, she is a great example of how to build trust and loyalty, and I’m not just saying that because of my apprenticeship.

I walked away that night understanding that I had just witnessed success.  Success built on the foundation of good work and good relationships. I strongly encourage you to continue to develop relationships with your customers and potential customers, whether they come to you online or at a brick and mortar shop. Everyone benefits.

What do you do to build relationships with your customers? Share a tip or two with us.

Santa’s helper restocks the tree!

Peace

Next up for this apprenticeship? Watch as daMuse helps Dina polish her web presence. Coming soon…

Click the button below to help me get to my next apprenticeship in Washington, DC. Many thanks to all who have donated!

florie salnot’s plastic bottle project

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Beautiful, don’t you think? After you look at the images, please read why I am in awe of 26 year old Florie Salnot. She’s one to watch.

 

{click on images to enlarge}

Salnot, a graduate of the Royal College of Art in London, has a background in art and anthropology. She was determined to help the women of a Saharawi refugee camp find a way to support themselves and also allow for the women to express themselves artistically by applying design to practical problems.

The process

The bottle cutting tool and nail board via Inhabitat

She developed a relatively simple, low-tech method to create jewelry that utilizes equipment available in the camp – primarily hot sand, a cutting tool and a nail board. Salnot’s bottle project makes use of both natural resources (hot sand) and waste materials (discarded plastic bottles)  – she describes the technique below:

“The plastic bottle is first painted and then cut into thin stripes with a cutting tool. After that, any type of drawing can be made by positioning some nails into the holes of a nail board: the plastic stripe is placed all around the nails and the whole is submerged into hot sand. The plastic stripe reacts to the heat by shrinking all along the nail drawing and keeping its shape. The piece of jewelry then requires a few last steps and fittings to become finalized. It is a very simple technique which, however, has the power to make the non-precious become precious.”

Workshop participant setting nails in a nail board

Pouring hot sand over nail board design

Plastic Bottle Project Workshop

Nail board design

You can read more about the technique here. A detailed account of the project here. And Salnot’s website here. The video below is a fascinating look at Salnot’s project and the women this project empowers.

Florie Salnot and the Plastic Bottle Workshop participants

meet linda behar and linda behar

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After I posted Cayce Zavaglia’s embroidered portraits last week I found Linda Behar’s miniature textile art and knew I wanted to share it with you. Then the fun began.  As I was researching Linda Behar, textile artist, I discovered Linda Behar, glass artist.  Both artists create compelling work worthy of your attention.

 

Linda Behar, textile artist

Combining photography skills with her love of textile art, Behar first prints a photograph onto cotton broadcloth and then stitches the image with colored threads.

Autumn Leaves I

Each piece of art is no larger than the 4″ x 6″ photograph it represents and includes images of the salt marshes she is drawn to; her favorite time of year and cultural glimpses from her travels.

A Linda Behar original – at first glance it looks like she is holding a photograph.

Salt Marsh II, 3 7/8″ x 5 3/4″, Cotton Embroidery

 

“Since 1993 I have been taking photographs and then rendering them in embroidery. My pieces are small – often about 4” x 6”, a size and format that echoes the photos on which they are based. I build the image stitch by stitch, criss-crossing and overlapping thousands of flecks of color. My colored stitches, laid side by side or atop one another, are like the dabs of paint of Monet or Seurat – pointillistic color mixing. But the Impressionists wanted to portray a fleeting moment in time, whereas I want to convey a sense of timelessness.” Linda Behar

See the full portfolio on her website and her Flickr site.
More on the Mobilia Gallery website.

Linda Behar, glass artist

Trained as a civil engineer, the Venezuela native always wanted to be an artist. Eventually she switched careers, studying photography, blacksmithing and metal casting before finding her niche – glass.

From the series “Houses With Soul”
Tree House, pate de verre, mixed media

Behar studied at Pilchuk Glass School and the Penland School of Crafts to learn the glass casting and pate de verre techniques that dominate her work today. All of her previous training – in school and life – show up in her glass and mixed media art.

From the series “Two To Make A Home”
Leaf + Flower, cast glass, 20”x12”x12”

From the series “Houses With Soul”
Nest House, pate de verre, mixed media

“Considering that art is somehow a reflection of our society, I feel that my main objective as an artist is to create pieces that communicate a positive message. My work emphasizes that even in this troubled world, life is still full of meaningful things and joy. I want to show the precious and the beauty of our existence, contradicting some of the actual tendencies of the contemporary visual field.” Linda Behar

See Behar’s work from 1998-2009 on her website.

More current work here.

Two artists, two talented individuals, two voices, two mediums, one name.  Time for a collaboration?  Linda Behar, meet Linda Behar.

pascal oudet’s delicate turnings

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France’s Pascal Oudet has come a long way from his first job as an electrical engineer at Hewlett Packard designing computer motherboards.

 

Fragile

Several years ago, as a break from his day job, Oudet took a woodworking workshop and he was instantly hooked. Now a full time turner and part time engineer, the artist is grateful for both careers, given today’s difficult economy.

Eggcaetera, 2.75″h x 5.5″w x 5.5″d (set), oak, chestnut
Set of three pieces

Tube, oak, turned thin, sandblasted, bleached, 3.75″ x 4″ x 8.75″

Oudet creates his signature pieces using a technique he developed, sandblasting the wood almost to transparency. He thinly turns and sandblasts the wood until most of the soft fibers fall away, leaving a delicate frame that has the appearance of filigree.

Federal Reserve

Black Dendrochronology

[the shadows cast by this piece are just beautiful - sl]

“I love the action sun, rain, frost, have on natural materials. In the mountains where I live, they create beautiful textures and colours on old wood on barns and on slate layers. All these elements reveal and emphasize the inner structure of the material, and are a great source of inspiration for me.”

Pascal Oudet’s Studio

Read an article about the artist on WoodworkersInstitute.com

ai weiwei’s sunflower seeds

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Fascinating video about Ai Weiwei’s latest project, 100 million ceramic sunflower seeds, hand crafted by an entire town.

 

Seeds, detail

Don’t have time to watch the 15 minute long video right now? Watch the short explanation below – but you will want to make time for the video above also – sometimes it takes a village…

Ai Wei Wei and 100 million porcelain sunflower seeds