Monthly Archives: January 2011

kim cridler’s welded grid vessels: skeletal maps of the form

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I’ve been a fan of Kim Cridler’s metal work for a few years and was excited to see that she now has a website. Cridler, Assistant Professor, Metals, at the University of Wisconsin, Madison, creates objects because she believes in “their power to enrich, record and extend our lives.”

Footed Bowl With Apples, steel, bees wax, 55” x 36” x 42”

Footed Bowl With Apples, detail

Her portfolio includes both large and small sculptural vessels, public art, installations and a glimpse into her sketchbook.

Pail With Fish, steel, cast bronze, mother of pearl, silver, 32″  x 51″

Pail With Fish, detail

Game Study, bronze, freshwater pearls,  38″ x 10″ x 5″

Game Study, detail

Cridler at work
(artist in residence, The Paine Art Center and Gardens, 2006)

Cridler with vessel

“In my work, the grid-like forms represent a way of understanding, stable and enduring but without lived experience. Materials with rich associations such as woven hair, cast soap made from lye and fat, cast and carved beeswax, and the use of stretched and stitched gut or silk, are ways of casting different values and histories against the skeletal armatures. The materials I introduce, the patterns and ornamentation I render, complete these structures with the kind of emotional and sensual meaning that knowledge and language cannot adequately account for.”

See the slideshow below, from photographer Jim Escalante, who captured Cridler’s welded work beautifully in his photographs.


Kim Cridler Metal Work – Images by Jim Escalante

A short video from UW-M – great insight about how she got into metalsmithing, her ‘roadmaps’ for each piece and her mission for the department. Love this.

More images of Cridler’s work, including several work in progress shots (here and here too), and information about the artist at The Paine Art Center and Gardens.

Can’t get enough? There are even more images at Lisa Sette Gallery.

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china’s 2011 harbin snow and ice festival

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A blizzard that moved through the Northeast overnight dropped more than two feet of snow on parts of Connecticut – here on the south eastern shoreline we have over 12″ so far and it isn’t over yet!

{click on images to enlarge}

At this rate I think we will have more than enough snow and ice to start our own winter festival, but for now take a look at these pictures from the 27th Annual Harbin Ice and Snow Festival in China.

Each of the enormous ice sculptures in the stunning collection takes about one month to create and many are illuminated with brilliant lights that turn the festival into a magical world.

The festival is open to the public from January 6, 2011 through the beginning of February.

Harbin Ice Festival 2011 (30 pics)

The video below shows  sculptures in process. Pay close attention toward the beginning of the clip (about twenty seconds in) to see how the artists use a regular clothes iron to assist them as they work.

I’m toasty warm inside, watching this Winter wonderland from my window – I hope to get out with my camera when the snow stops.

Wherever you are stay safe and warm!

Learn more about the festival here (scroll down to the bottom of that page for links to images of sculptures from past festivals).

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pat and ken larson: stories in clay

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Pat and Ken Larson have been collaborating on art and life for more than three decades. I was first drawn to the beautifully executed clay figures and ravens, then captivated by the short stories the Larson’s include in many of the descriptions. The stories add appeal, speak to our curiosity – and our desire to unravel a mystery.

Does your work have a story? Could it? Something to think about.

Winter Friends, saggar and blackware fired, 40″ tall

While taking a break from winter wood splitting, a raven flew over low enough that you could hear the feathers moving through the air. It made me think of something. Could we have a wild friend that would come and visit us? In a different time and place, it could happen.

Finders Keepers, saggar and raku fired wall tiles

Two separate times while backpacking in Utah’s Grand Gulch we observed ravens landing in a hole high on a cliff side south of Bullet Canyon’s “Jailhouse Ruin”. Grand Gulch and the surrounding Cedar Mesa are full of Anasazi ruins and there are still places where one can’t walk without stepping on 1000 year old pottery shards. In one place in Bullet Canyon we observed the signature in charcoal of Richard Wetherill above a ruin. Richard Wetherill is the cowboy archeologist who first started major exploration of Mesa Verde and for whom the Wetherill Mesa is named. So what if a family of ravens had been living in Grand Gulch for many generations? Ravens are know to pick up interesting objects. And what if successive generations had been picking these objects up and taking them to this hole up on the cliff side? What treasures are up there—–but you know, it’s “Finders Keepers”

Large Robed Figures, 23-24″ x 6″

These figures start as wheel turned pieces that are folded paddled and augmented into the shapes you see here. The faces are made and fired separately, then glued into the hood after the pieces are fired. The “Charm” hanging from the back of the head is hand made and hung with macrame of waxed linen.

Winter Watchers, raku terra siggalatta, 39″ x 10.5″ x 10.5

The raven and his friend stand still, hoping that the icy fingers of air don’t get in while they watch the sunset on a short winter day.

Primal Yoga

In addition to the work shown in their website portfolio, Silvertson Gallery has images of their sculptures and a very informative description of the different firing techniques used to finish the wheel thrown and hand built sculpture, including the following about Horse Hair Raku:

Horse hair raku – We remove the piece from the hot kiln and place it on an insulating surface on a turntable.  The piece is first sprinkled with sawdust, then draped with hair which burns and leaves carbon trails on the surface of the piece.

The Larson’s have a sense of humor too – check out the story behind their Featured Piece (pictured below) – a terrific show of irreverence. Love it.

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andrea borst: dancing glass jewels

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Let’s start the week light and breezy with Andrea Borst’s colorful glass jewelry. I didn’t find much about the artist, but I can tell you that she creates each of the tiny glass elements at her torch, then weaves them in an open structure using steel cable wire.

Field of Flowers, six strands, glass, silver, steel cable

Orange Blossom ZigZag, two strands, glass, silver, steel cable

My guess is that the tiny glass shapes shift and move on the body, their dancing ways enhanced by the flexible cables that spring and bounce when touched.

Dragonflies In The Reeds, three strands, glass, silver, steel cable

Sealife, plants and abstract shapes make up much of Borst’s portfolio (and it is an extensive portfolio), but if you look in the archives you will see that the German artist shows a whimsical sense of humor with necklaces made up of kitchen gadgets, food, children’s toys and clothing. Bright. Colorful. Fun. Happy Monday. . .

A variety of clothes

Clothing, one strand with mini beads, glass, silver, steel cable

Sunday Breakfast For Two

Andrea Borst at the torch

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gemmies

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