Monthly Archives: May 2011

diederick kraaijeveld: oudhout {old wood}

Sign up here to receive the DAM newsletter.

Recently I talked to a new friend about how he got his start restoring old homes to their original splendor. Growing up with a father who was a builder he spent a lot of time at his side while he worked, and to this day the smell of sawdust brings him home to himself, the woodworking tools are an extension of his hands, the sound of a saw is music for his soul. He never considered doing anything else – this work feels as natural and right as getting up in the morning. He specializes in woodwork like finely crafted cabinetry but the real thrill for him comes when he transforms rooms with antique floor boards. Beginning with carefully sourcing the reclaimed wide-plank or narrow strip wood, to figuring out how each piece will fit, to creating the new floor and bringing the room back to life, this is the work he lives and loves.

Double Espresso, reclaimed wood

When I saw Diederick Kraaijeveld’s iconic sculptures, created with vintage reclaimed wood, both his passion for the wood and his process reminded me of my friend. Kraaijeveld scavenges all over his native Holland – searching in dumpsters, old mansions, rundown farms and along coastlines to find the wood he needs to create the over-sized sculptures.

 

Red Sneakers, reclaimed wood

Friends near and far let him know when floors are going to be torn out of centuries-old buildings all over The Netherlands.  These floor boards, painted wood planks from stately old mansions or rustic, rural farmhouses, are his favorite material.

 

Jackie, reclaimed wood

The artist does not alter color or treat the wood in any way, preferring to leave it’s history intact. You won’t find paint on his palette as he carves these colorful sculptures.  Instead, he has a warehouse that holds countless pieces of wood in all colors. The warehouse is necessary since one sculpture can have up to 100 different colors.

Coke Can, reclaimed wood

The artist and his work

My friend and Diederick Kraaijeveld share a passion for oud hout {old wood} and the work they wake up to each day. Love.

get your art online

nnenna okore’s sculptural wall hanging textiles

Sign up here to receive the DAM newsletter.

Nigerian born Nnenna Okore’s three dimensional wall hangings are like candy to any textile-lover’s eye.

Earthbound, clay, burlap, rope

The Assistant Professor and Chair of the Art Department at North Park University, Chicago walks through the streets of Chicago searching for discarded materials, taking them home to add to the growing stash she dyes, waxes, weaves, sews and twists until satisfied with the resulting sculptural textiles.

Strata, clay, burlap, rope

Okore uses newspapers, plastic, yellow pages from the phone book, magazine pages and other materials, often securing clay shapes to burlap with rope in repetitive patterns.  The hanging, draping effect of these cloth sculptures is mesmerizing. Most of the images shown here show the clay and burlap sculptures, but the found found paper sculptures are quite compelling.

found paper, rope

 

“I am fascinated and often surprised by material transformations that result from ammassment, layering and multiplicity of smaller parts and units.”

View the entire  Clay Series for the full effect of the work.

See more of Okore’s portfolio here.

Read an interview with the artist here.

 

 

get your art online

claudia tarantino: porcelain memories

Sign up here to receive the DAM newsletter.

California’s Claudia Tarantino pays homage to her Italian upbringing in her Porcelain Still Life series, with stunningly realistic porcelain sculptures that capture “memories of growing up in an Italian family where fresh food was abundant and the sharing of it second nature.”

Grazie Tin, Porcelain Still Life, 6″h x 6″w x 5.5″d

Ahhh…the memories. Tarantino’s work brings me right back to my own childhood, where I was surrounded by the smell of good Italian cooking in my mother’s kitchen.

Orange Roses Tin, Porcelain Still Life, 4″h x 8.5″w x 8″d

I found her new series, Memories, even more stirring.  The self-taught ceramic artist allows us to hold on to precious memories with these carefully curated collections of objects recreated in porcelain.  Just beautiful.

At The Seashore 1926, Porcelain, 2010, 8.5″h 10″w x 10″d

Yosemite 1938, Porcelain, 2010, 7″h x 9″w x 10″d

About her new work:

I use the unique properties of porcelain to make trompe l’ oeil sculptures that are refined and detailed. Constructing arrangements that “fool the eye” of the viewer, I try to evoke a recognition of what is common in our experience. My work reflects my connection with nature, family and my family’s history. It is both nostalgic and current, mingling familiar imagery and objects that speak to human interaction and relationships.

I am also exploring memories, the stepping-stones to who we are, and the association of then and now. Boxes of “stuff” collected and saved, containers and tins of treasures too special to discard, photo albums and journals all link us to the past. We save them, forget them and rediscover them. What we choose to save and how we edit, condense and contain our memories, and those passed on to us, also link us to the future, where we too will become just memories.

Tarantino’s son, glass sculptor Oben Abright, was featured on DAM last month.

I’ll be out of town for a bit and might not be able to post tomorrow – if that happens, I’ll see you next week.

get your art online

the guest house

Sign up here to receive the DAM newsletter.

This poem moved me to tears – I’m interrupting my regular post to share.

{click image to view large}

get your art online

dc apprenticeship: a visit with elissa farrow savos

Sign up here to receive the DAM newsletter.

A highlight of my last week in Washington DC was a sculpting lesson with Elissa Farrow SavosNovie Trump – who seemed to know me before she knew me – set this up before I came to town.  I hopped on a train to Novie’s house in Virginia and then she drove us about an hour further out to Elissa’s home studio.

Elissa Farrow Savos and Novie Trump stand outside of the gallery

Elissa is as generous as she is talented.  She spent the better part of the afternoon with Novie and I, sharing her extensive knowledge about sculpting the human figure.

Farrow-Savos in her studio

With a small gallery space at the front of her beautiful home and a tiny studio across the foyer from the gallery, this busy mother of three juggles her passions and responsibilities with grace and ease.

this bridge called my back, polymer clay, found objects

Farrow-Savos uses polymer clay and found objects to tell stories, explaining that each sculpture is a narrative of  “some woman somewhere, and every woman everywhere.”

the slow and careful earning of trust, polymer clay, found objects

Standing in the gallery and studio, surrounded by her work, I could feel the stories of these women: proud, humble, heroic, deeply sensitive, scarred, determined, and full of life.

Take a look inside her studio and see if you can feel it too. Many thanks to Elissa and Novie for a wonderful day.

 

{Best viewed in full screen mode}

If you are viewing this post in an email or RSS reader, click here to view the slide show.

get your art online