Monthly Archives: May 2011

anni rapinoja’s wardrobe of nature

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I miss having a garden, so environmental artist Anni Rapinoja’s Wardrobe of Nature made me smile, thinking about wrapping myself in the natural world I love so dearly.

Coat of Baby Earth

Rapinoja creates a structure for shoes, handbags and goblets and then adorns them with plant material. Some of the forms are molded of tissue paper hardened with rye porridge, others have cotton or wool as supporting structures.

Time of Growth, tea-leaved willow

Coat of Mother, common reed

Warm Shoes Mother, tea-leaved willow

Rapinoja, who lives on an island off the coast of Finland, trained as a botanist and has been an environmental activist for more than twenty years. Her work is meant to deliver the message that we are part of nature.

Shoes Under Change, cowberry leaves

People have drifted far away from their ‘home’, from nature. Seeing forms of one’s own world combined with nature awakens a subconscious need to get close to it, to get inside. The art brings out a craving to be close to nature, a desire to go back ‘home’. Anni Rapinoja via

 

 

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bella feldman’s anxious objects

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California sculptor Bella Feldman describes the glass and metal objects she creates as being full of tension, not unlike their maker. The artist’s website features a large portfolio built over a career that spans decades – each section full of surprises that will make you question scale, size, power and beauty.

Blimp, steel, blown glass, 20”x 20”x 10”

Feldman created the War Toys and War Toys Redux collections in 1992 and 2003 respectively. As you can see from the images here, they continue to be relevant today.

Atomizer, steel, bronze, blown glass, 18″ x 21″ x 11″

Church, steel, blown glass, 16”x16”x10”

As a means for creating an unsettling tension in a sculpture, I use shifts and inconsistencies of scale and movement. I produce “anxious objects.” It seems to me an approach to content that most expresses the reality of our lives. Humor laces my work; like my ghettoforebears, I need to laugh at the dark. Bella Feldman

Click on the image below to watch a short movie of the artist in her studio.

Also impressive are the large-scale Reach and Flasks of Fiction series. I love that the artist is featured in almost every photo of the Reach sculptures. Nice touch.

Many of the over-sized sculptures from Flasks of Fiction immediately screamed ‘necklace’ to me. Can you see the design of Purl, the 37″ tall sculpture below, translated into a neckpiece? Quite striking.

Purl, steel, cast bronze, blown glass, 37″ x 15″ x 8″

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william zweifel weaves glass and life

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Fascinated by the idea of weaving glass, William Zweifel set out to learn how to create an authentic weave with the material.  Relying on help from a weaver friend, the largely self-taught artist spent five years experimenting before he achieved the results he was looking for.

 

Equinox

Equanimity, 2011 Niche Award Winner

The glass ‘fabric’ in each of Zweifel’s sculptures take up to 20 firings to complete – his Wisconsin studio was home to a mountain of broken glass while he perfected the process.

Strain

“We are who we are as a result of the interweaving of many life experiences.  The influences of outside pressures and our core beliefs determine our character. How much we allow these pressures to influence us will determine whether we will be in turmoil or at peace.” William Zweifel

William Zweifel at work

To read about his process, including how he makes the ‘fabric’ drape, jump to the Information tab on his website and click on the “At Work” option.

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lomuto’s meditative mark making

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Looking again at the pictures in yesterday’s post I realized that the work is soothing to me because it reminds me of my own attraction to circles and dots.  A meditative exercise that I have found extremely useful over the last several months has been mark-making on driftwood – it puts me in a zen like state.  Here’s a peek at one study, an experiment that included mark-making and rubbing pigmented wax on small pieces of driftwood

 

Mark-making study, driftwood, pigmented wax

I have since moved to mark-making in a more deliberate manner on large pieces of driftwood and will be offering a few as donor rewards soon. Speaking of donor rewards. . .if you have not received yours yet please send me an email and let me know. I think a few of you may have slipped off my radar. I’m in Rhode Island now and then off to Boston, but I’m always thinking of you! Do you have a meditative art-related exercise that helps you? Do tell. . .

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trinidad contreras: constant circular motion

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I’m running, running, running today.  I’m also getting ready for a big announcement about changes coming soon to the DAM experience.  Must remember to breathe. There is something about Trinidad Contreras’ porcelain and silver jewelry that brings a sense of calm and order to my rushed mood.

 

 

Contreras is drawn to the simple, the familiar, the roundness of things, explaining that it makes her reflect on “what can exist within a sensual and harmonious world. A world where time passes by slowly, but in a vital and ephemeral way, in a constant circular motion of “creation-destruction.” Yes, this.

 

 

The pieces I present are the result of the materialization of a personal and emotional state. Order, beauty and the concrete that exists within my private memory take the center role.” Trinidad Contreras

 

P.S.

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