Monthly Archives: September 2011

nathan dube: of boys and toys, men and mid-life crises

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Someone is having fun. Serious fun. Serious art but fun. Art but seriously funny.  OK – enough from me – take a look at metalsmith Nathan Dube’s exquisitely crafted toys and pranks for grown up kids and kids that don’t want to grow up.

 

S.N.I.P.E.R., silver, nickel, brass, spring, paper
S.N.I.P.E.R. allows the user to take aim at a few tradition pop culture male role models


My current work expands on this idea of childhood, exploring its relationship to masculinity, and the mid-life crisis. The work uses childhood pranks and toys reinterpreted as high-end adult toys. The appearance of each piece affords the object a level of authority, convincing the viewer that each piece is the result of years of industrial research and development for actual products. At the same time this authority is subverted by the absurdity of each piece’s function. For instance, the piece entitled S.P.I.T., which functions as a spit-wad shooter, is extremely detailed, exquisitely crafted and constructed of precious materials. These eclectic toys are meant to comment on the absurd lengths men will sometimes go to in order to recapture their youth.

 

For that close shave without the burn
Brut aftershave, electric razor blade, silver, Pyrex tubing

This piece smells of Brut aftershave

 

I love the smell of smoke in the morning
sterling silver, strike anywhere match heads

Smoked for 18 hours in a barbeque pit. Smells of smoke.

 

My early work explores the connections between memory and the body’s senses. By using the body’s senses, particularly the sense of smell, memories can be triggered allowing the viewer to reconnect with the past. The works are reliquaries for intangible individual events and experiences. The smells of perfume and aftershave act as mnemonic devices that trigger similar memories in the minds of the viewers.

Nathan Dube’s website – where the big boys can find more toys. . .

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abigail brown’s birds

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I walk several mornings a week.  Long, brisk-paced walks that lead to the edge of a marsh, around the bend and across a causeway with views of the Long Island Sound. The walk is always thrilling, in part because of the birds that inhabit the area.  Always a different performance in the air or on the water – one more thing to be grateful for as I begin a new day.

Swan

Abigail Brown’s birds remind me of the ones I love watch.  Using new and recycled materials, this fabric collector carefully picks out bits of fabric that closely match the coloring and markings of each bird. The one-of-a-kind sculptures are hand and machine embroidered and hand-sewn by Brown in her London studio.

Blue Jay, 6" tall

 

Curlew, 10" tall

 

Canadian Warbler, 4.75" tall

 

Owl, 12" tall

 

“Working from a simple template I sew the basic pieces on the machine. I then insert a wire piece to give structure, leading from the beak to form the legs and feet.” Abigail Brown

 

Read more about her process in this interview.

Abigail Brown’s website and shop


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kenneth baskin explores the interdependence of humans and machines

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The 20th Century Artifact and Anatomy of a Machine collections by sculptor Ken Baskin scream Masculine and Mechanical. What look to be hand-carved, worn-wood sculptures are actually ceramic and steel. I want to touch. The artist holds BFA degree from the College for Creative Studies and an MFA degree from the University of South Carolina.

 

Opposites Attract, soda fired stoneware, 15” x 24” x 10”

Companions, mid fire stoneware, 15” x 27” x 9”

“Through our capacity for invention the anatomy of the machine, laying bare its individual yet integrated mechanical components, became the means of mass production and an accelerant in the performance of human tasks. This interdependence of humans and machines altered cultural conceptions and the two became intimately conjoined.” Kenneth Baskin

Desirer, mid fire stoneware, 30” x 44″ x 14”

Coupled, wood fired stoneware, 7″ x 18″ x 6″

Link, soda fired stoneware, steel, 11” x 18” x 7”

 

 

Kenneth Baskin’s website

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carol mather: silver salt cellars

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Yesterday we lost phone and internet for hours – that’s why there was no post on DAM.  I am happy to report that all is restored again and DAM is back.

Pygmy Goat Pulling Cart, patinated silver
The cart contains a silver milk churn for holding salt and a bucket and spade for holding pepper.

I’m currently enjoying Carol Mather’s salt pot, salt shaker, and salt cellar sculptures. She takes great care to pay attention to the small details by using punches and stamps on the patinated silver. Adding gold powders and enamel help her bring the diminutive animals to life.

Jerboa, patinated silver, 22k yellow gold powder


Donkey Salt & Pepper

patinated silver, gold-plated panniers for holding salt and pepper, enameled spoons

Carol Mather’s website
The artist has a range of jewelry too – you can see it here.
I wish this site had larger images – Rufty, Tufty and Otto as well as the Salt and Pepper Cart look charming but the images are tiny.

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miina äkkijyrkkä’s cows: real and recycled metal

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It isn’t often that you see cows as the focus of an artist’s work for more than forty years. Stirring both praise and controversy, outspoken and passionate Miina Äkkijyrkkä continues to draw inspiration for her art from the cattle she raises in Finland.

The artist seated beneath one of her larger-than-life cow sculptures

Sculpture made of abandoned car parts and one of the artist’s models

The inspiration

Äkkijyrkkä studied at The School of the Fine Arts of Finland, the Dairy Farming School of North-Savo and the Equine College of Ypäj, and shares her passion for bovines through traditional sculpting, drawings, sculpting with scrap metal and more. The sculptures seen here defy reason – scrap metal that not only depicts a cow, but also suggests movement and an undeniable grace.

 

There is much to repair in the education of artists. If we want to put value in education, we have to do new things and open all the doors of this modern time. Electronic communication and the fast flow of media are tools that artists should be able to use. But always remember the inner fire. That is the most important thing. Without it, you are an amateur. Miina Äkkijyrkkä

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Miina Äkkijyrkkä tends to her cows

 

Miina Äkkijyrkkä’s website
Read a wild interview with the artist on art:21
More here

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