Author Archives:

brent skidmore’s balancing act

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North Carolina artist Brent Skidmore, Assistant Professor of Art/Director of Craft Studies at the University of NC, Asheville, holds both a BFA and an MFA in Sculpture.

Blonde Variables of a Canyon
fiddleback english maple, walnut, basswood, maple, acrylic paints
77″ x 34″ x 16″

Blonde Variables of a Canyon, detail

Drawings
basswood, walnut, poplar, mahogany, steel
80″ x 24″ x 16″



Drawings, detail

Though his body of work consists mostly of studio furniture, there is a strong sculptural quality to each piece – and most depict some kind of balance between shape, form, materials.

Boo, Pomm and Boulder
pommele sapele, poplar, basswood , sycamore, acrylic paint, LDF
67″ x 32″ x 17″

Work in progress

Artist, teacher, father, husband, arts advocate – his life, like many others, is a balancing act – and his beautifully crafted work is a welcome reminder that balance is a good thing.


“The manipulation of humor, awkward form relationships, introduction of real or implied function and the use of color are in response to my existence. These form and color relationships help me to celebrate humor as a strong elixir; it heals.”

Brent Skidmore’s website

 

 

 

helen otterson: dis.ease. and how to get your work seen by daMuse

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More biomorphic sculpture today, this time from ceramic artist Helen Otterson, who mixes ceramic forms with cast glass and most recently bronze. Otterson’s interest in biomorphic forms is rooted in her interest in our experience of disease. Dis.Ease.  Personal experience has as much to do with this fascination as her studies of microscopic slides of human tissue.

Floral Burstceramic, cast glass

Disease is an experience that radically transforms life through its ability to force a debate on human suffering and survival.

Due Feuilles, ceramic, bronze

My work is a hybrid of human cells and plant forms that share the pursuit of survival and beauty of the natural form.

Physiologia, ceramic

Untitled, ceramic, cast glass

Work In Progress

Pastel Botanica, ceramic, cast glass

Equilibrium At Odds, ceramic

My goal is to illuminate the precious balance of life and beauty of the natural world, while revealing the temporary symbiotic relationship between health and malignant cells.

 

Helen Otterson’s website

 

Want daMuse To Showcase Your Work?

The best, best ways to have me find your work are easy and effective:

1.  ‘Like’ the DAM page on Facebook and comment on posts there – I very often look at profiles/websites of people who take the time to comment on my FB posts and I have found many artists for DAM posts that way.

2.  You can also post comments on the blog here  - I always check websites of commenters on DAM.

3.  Another easy, effective way of having me find your work is to embed a link to Daily Art Muse on your own website – when traffic comes in to this site from another website I check out the website it’s coming from.

Yes, you can also write to me and I LOVE hearing from you, but please know that I receive dozens of emails every day, including artists asking me to post about their work, galleries who want me to post about an exhibit, questions from readers regarding how and where to purchase work they saw on the blog, friends of artists who hope that a post on DAM will give their friend a boost in sales. . .you get the picture.

Though it might take me a few days to see them if I’m in ‘very busy’ mode (like now when I’m teaching a class), I do read all of your emails, but because they come in at such a rapid rate they fall off my radar screen quickly – even if the work is something I would post on DAM – it’s just the nature of the beast that email has become.

Unfortunately I don’t have time to respond to most, as emails from students, advertisers and others in my network must take priority.  I hope you understand.

I do want to see great contemporary fine craft from YOU and your colleagues – because I want to share it with all of DAM’s readers. Really I do. So find DAM on Facebook, comment there or on this blog and link to the website – I’m watching, I promise! It’s how I found Helen Otterson – it could be how I find you.

jodi colella’s biomorphic abstractions

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Jodi Colella uses traditional crafting techniques such as crochet, knitting, felting and embroidery to create structures that are anything but traditional. The needle felted and found driftwood sculptures pictured here mimic organic patterns found in science.

Nuclei II

Marrow

Blast

Diana

Nuclei I

Jodi Colella

In The Beginning

 

I create structures that can act as metaphors for being human often taking on anthropomorphic gestures and emotions. I want to inspire questions about where an individual ends and the world begins.

Jodi Colella’s website

Interview with Colella - many more pictures

 

 

heejin hwang: steel wire statement

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I’ve been watching Heejin Hwang since posting about this emerging artist in 2010. Hwang’s new collection is a marked change in a new direction and is bold, but not loud, making a statement without having to shout. Steel wire, threads of hand-dyed yarn for emphasis in some of the pieces, multiples of large shapes and lots of length. The artist’s work is evolving nicely. Keep watching.

 

Sensuality II, steel wire

My work is about the tension between structure and sensuality. I am interested in framing female identity through the lens of beauty, control, dignity, strength and vulnerability.

Dropping II, detail

Dropping II, steel wire

By building simple structural units into complex sculptural forms, organic shapes give way to fortified architectural systems. Steel wire is used as basic material, a continuous line of wire is shaped into interpenetrating forms. As multiple units complete a perfect structure, the whole becomes animated and my jewelry comes to life.

Emotional Interaction, steel wire, hand-dyed yarn

The human body is the perfect context for my three-dimensional forms. Only when the body ornaments are perfectly installed on the wearer, does an emotional and structural rapport begin. As people imagine building an ideal house of their own, I also imagine building my house of jewelry on the human body.

 

Dropping III, steel wire, hand-dyed yarn

Bones, steel wire

Tactile Sensation I, steel wire, enamel, ground rock

Tactile Sensation II, steel wire

Heejin Hwang’s website

Previous post here

 

 

 

 

ingeborg vandamme’s paper and metal jewelry

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While Ingeborg Vandamme currently works with a variety of materials, I’m mesmerized by some of her older work that focuses on paper and metal. Based in the Netherlands, Vandamme’s new collection is quite a departure from the paper and metal pieces and is generating a lot of attention, but I can’t deny my preference for the paper work.

Diary Ring

Cones Necklace, etched copper, paper, paraffin

Poetry Container, etched copper, paper

silver, paper, paraffin

Living in Amsterdam, closed

Living in Amsterdam, open

 

Cones Necklace, etched copper, paper, paraffin

Ingeborg Vandamme’s website