Category Archives: Fiber

shannon weber: if it bends. . .

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When I first wrote about self-taught artist Shannon Weber back in 2007 (remember my Empty Vessel blog?) I loved her work, color sense and her sensibility regarding life’s obstacles – still true almost five years later.

Private Parties

Weber uses chewed beaver sticks, reclaimed metal, willow, sea kelp, sea grass roots, dyes and more to create her unique over-sized baskets and assembled collages. Her motto? “If it bends, I use it!”

Watch the excellent video above to get a glimpse of Weber’s world

Life Guard Towers, beaver sticks, kelp bulbs, beach glass, waxed linen

Weaving stitching and tying her materials together, one could say she does it in a fashion that mimics the way she weaves the obstacles life throws at her into the tapestry of her own life.

From my 2007 post: “The common denominator in moving this talented weaver’s career ahead might be dark clouds, but don’t discount Weber’s soul-shifting ability to laugh out loud and jump into the fray. After all, ‘it started with a giggle.’”

Orbit, 57″ in circumference. It’s almost as wide as I am tall!

Well Traveled

Shannon Weber, photo via Register Guard

Shannon Weber’s website

The video on ArtBeat

My original post on The Empty Vessel

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debbie smyth takes thread out of its comfort zone

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More fiber art today, but this time it’s not knitting coming off the wall – it’s three dimensional images created with pins and thread.

Debbie Smyth is a young artist from Ireland whose work is buzzing all around the Internet. Smyth photographs and sketches her subjects, plots and hammers pins on the wall, then wraps threads around the pins to ‘develop’ the image. Her work literally “lifts the drawn line off the page.”

 

“On first glance, it can look like a mass of threads but as you get closer sharp lines come into focus, creating a spectacular image. The images are first plotted out before being filled out with the thread, the sharp angles contrasting with the floating ends of the thread. And despite the complexity of the lengthy process I try to capture a great feeling of energy and spontaneity, and, in some cases, humor.” Debbie Smyth

 

 

 

Watch Smyth in this video as she creates one of her large-scale installations. Want more? Here’s a video interview with the artist.

Debbie Smyth’s website. She’s on Pinterest too.  How appropriate!

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rania hassan’s connections

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I’m in Washington, DC for a few weeks to follow up with the artists I apprenticed to last winter. More about that later in the week, but first I want to introduce you to an artist I met yesterday.

Knit Circle, oil, fiber, canvas, metal

What do you do when knitting consumes you and painting is the driving force behind your work? If you are Rania Hassan, you combine the two and create paintings that move off the wall to become three dimensional mixed-media sculptures.

Knit Circle, detail

Hassan’s work represents the concept that we are all connected somehow. The painted fingers are her own, and as she explains, “In the needle, yarn and finger movements, I explain how the act of knitting connects us to our community and generations past.”

Anchored II, oil, fiber, canvas, metal

“This series started because of my fascination with knitting, love for painting, and intrigue in the community I’ve found online with knitters from around the world. I think about how it links me to my mother, her mother, and all the generations of women who came before them.”

Pensive I, oil, fiber, canvas, metal, wood

Ktog [Knit Together], 8′ x 4′, oil and knitting on canvas
Installation at Baltimore ACC show in 2009

Ktog 21, detail

Knit Dress

Hassan most recently completed a commission that is now part of the permanent collection at the National Institutes of Health.

Rania is thoughtful, with an easy smile and a refreshing sense of humor. I spent the afternoon with Rania, her husband (he deserves a post of his own so I’m leaving his name out of this one!) and the always fabulous Tim Tate.

Hassan’s work speaks to connections of all kinds and there are many to be found when artists come together in a city or town to work and live. Each visit to DC and the surrounding area makes this fact more clear to me. It’s great to be back.

Rania Hassan’s website

 

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kim kamens: thread and nail drawings

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Can you imagine one continuous strand of thread stretching for ten miles?  I can’t, but that is indeed how long some of the threads are in Kim Kamen’s nail and thread ‘drawings’. Using black sewing thread to bridge the spaces between nail heads – connecting the dots if you will – Kamens creates highly rendered images that, from a distance, appear to be pencil drawings.

Chair With Hand, thread, nails, wood, 48″ x 72″

Warren, painted wood, nails, black sewing thread 26″ x 32″

Small Self Portrait, thread, nails, wood, 24″ x 24″

They almost look like some form of wild constellations on wood, yes?

 

Kim Kamens’ website

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abigail brown’s birds

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I walk several mornings a week.  Long, brisk-paced walks that lead to the edge of a marsh, around the bend and across a causeway with views of the Long Island Sound. The walk is always thrilling, in part because of the birds that inhabit the area.  Always a different performance in the air or on the water – one more thing to be grateful for as I begin a new day.

Swan

Abigail Brown’s birds remind me of the ones I love watch.  Using new and recycled materials, this fabric collector carefully picks out bits of fabric that closely match the coloring and markings of each bird. The one-of-a-kind sculptures are hand and machine embroidered and hand-sewn by Brown in her London studio.

Blue Jay, 6" tall

 

Curlew, 10" tall

 

Canadian Warbler, 4.75" tall

 

Owl, 12" tall

 

“Working from a simple template I sew the basic pieces on the machine. I then insert a wire piece to give structure, leading from the beak to form the legs and feet.” Abigail Brown

 

Read more about her process in this interview.

Abigail Brown’s website and shop


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