Category Archives: High5

high5 polymer clay: we interrupt our regular programming and anna fidecka

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We Interrupt Our Regular Programming…

If you follow me on Facebook you might already know that the reason there haven’t been any new posts on DAM since Wednesday is that I took an unexpected trip to the emergency room early Thursday. (And if you aren’t following me on FB, why not?  In addition to all of my regular DAM blog posts, I also post many more interesting links!).  Looks like I have a wicked virus that is currently wreaking havoc in this part of the Hudson Valley.  The good folks at the hospital stabilized me and I’m home now, feeling a lot better – I will likely be back to my regular antics soon.  I will try to post through the weekend and into early next week to complete the series, but I will pace myself.

Hope you are enjoying this installment of the High5 series!

High5 Polymer Clay: Anna Fidecka

Anna Fidecka has a website fully stocked with images of her polymer clay jewelry. Fidecka lives in Warsaw, Poland and she has been working diligently learning both polymer clay and art clay silver.

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In much of the portfolio you can see the teachers/artists that might have influenced her.  But you can also see something else:  As you scroll through the dozens of pictures it is evident that while she is working on mastering specific techniques, her voice is beginning to come through.

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I can’t tell you much more about her because my attempts to translate her website were unsuccessful. But you can see for yourself that many of the pieces, like the ones shown here, indicate that Fidecka is reaching beyond what she learned from others and making the work her own. I say keep it up.

Links:

Anna Fidecka website

Anna Fidecka on Flickr

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high5 polymer clay: shannon sullivan

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Last year I featured Shannon Sullivan’s ceramic, resin and plexiglass wall hangings that were reminiscent of molecule slices on microscope slides (link at the end of the post). Sullivan, who holds an MFA in ceramics, is currently showing a collection of ceramic forms that are embellished with simple polymer clay shapes in repeat patterns across the surface of the ceramic.

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Plot With Quilted Field, fired ceramic, polymer clay, mixed media, 12x8x8

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Plot With Juicy Cliff, fired ceramic, polymer clay, mixed media, 12x17x7

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Plot With Sprouting Rows, fired ceramic, polymer clay, mixed media, 3x7x5

The Assistant Professor of Art at the College of the Redwoods in Eureka, California combines earthen clay with synthetic clay in an unusual pairing of materials that are often considered at odds with one another. Polymer, the new clay, often takes a back seat as a credible art medium to the more established earthen clay. Kudos to Sullivan for showing how well they can play together.

Links:

Shannon Sullivan on DAM

Shannon Sullivan’s website
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high5 polymer clay: ancient modern review

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We are midway through the week-long series, High5 Polymer Clay.  If you are new to polymer clay – if I’ve piqued your interest and you are ready to explore the medium – be sure to look at some of the books, DVDs and resources listed in the sidebar.

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[private_archives]Ancient Modern: Polymer Clay + Wire Jewelry is a good place to start.  Ronna Sarvas Weltman has written a book that is a safe haven for artists to put perfection aside for a moment, experiment with the two mediums and maybe even draw out your inner jewelry designer in the process.

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Ancient Modern: Polymer Clay + Wire Jewelry

Of particular interest to anyone interested in making jewelry are her tips about the mechanics of design – how to make a piece wearable and comfortable.  In addition to the 15 projects in the book, there is a clear, concise Coiling Wire Chart to help you determine how much wire is needed when making uniform coils.

But wait, there is more…

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Nightfall in Mozambique, polymer clay, wire

I’ve had the pleasure of watching Ronna grow as an artist over the last three years and getting to know this lovely, generous, upbeat soul has been a special treat for me.  Ronna introduced herself (via email) in the early days of Daily Art Muse, when this blog was known as Polymer Clay Notes.  She was often inspired by the art I posted here and we made a precious connection as we forged ahead on our individual paths.  Some time later, when she told me she was writing a book that would marry polymer clay and wire with her primitive, organic style I knew it would be a hit, and it is – Ancient Modern, released by Interweave Press in June 2009, is already in its second printing.

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Why is it so popular?  In Ancient Modern, Ronna makes polymer clay accessible for people who might be intimidated to try it and for those just beginning their exploration of this versatile medium.  She has impeccable taste, a strong eye for design and a bold, organic, joyful sensibility to her style.

I would categorize this as a book for beginners, but I will qualify that by saying it is one of the most sophisticated beginner books I’ve seen. The layout is crisp.  The instructions clear.  The photographs stunning. While the polymer clay techniques are not new to me, Weltman’s application is fresh and beautifully articulated. I have been working with polymer clay for several years and I still found enough in the pages of this book that sparked my imagination to easily recommend it as a valuable resource for intermediate level clayers.

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So Much And More, extruded polymer clay, wire

I caught up with Ronna last month and had the opportunity to see many of the pieces from the book. All comfortable, wearable and lightweight. I’m intrigued by the simplicity of the extruded clay bracelet pictured above.  The bracelet was surprisingly flexible when I put it on and I immediately began pondering how I could use this technique in other ways. Once I have a place to work again (soon) I will experiment with a few ideas that are taking form based on what I learned from the book (I’ll post them here – promise!).

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Three Ring Circus, polymer clay, wire

Ancient Modern: Polymer Clay + Wire Jewelry offers ideas, tips and inspiration to both beginners and seasoned polymer clay artists – I recommend it as a permanent addition to your library.

Links:

Want one?  Click on the link in the sidebar to purchase the book from Amazon.

Ronna Sarvas Weltman’s website

More images of the book on the Interweave Press website

Want to know how to get published?  Weltman will present Get Published! at the February 2010 Synergy2 Conference
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high5 polymer clay: ernie & cassandra velasco

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Ernie and Cassandra Velasco collaborate on a variety of art, including a collection of polymer clay sculptures that are sometimes tiny, often narrative, always curious.  The Velasco’s have been selling their work on Etsy since 2007 and they credit John Casey’s 2006 online tutorial as the inspiration that motivated them to explore the medium.

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Francine
polymer clay, acrylic paint, wire, plastic miniatures, synthetic grass, 3″ x 7.5″, wall-mounted

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The Diver, polymer clay, acrylic paint, varnish, wire, plastic miniatures

Artists are often drawn to polymer clay because the clay colors can be mixed with the same ease and variety that paint can be mixed, but the Velasco’s build and bake their sculptures, then paint the clay with acrylic paints. The results provoke a contemplative state of mind and leave the viewer to decide the story. I’m trying to think of a title for ‘Untitled’. What about ‘Breakthrough’?

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Untitled, polymer clay, acrylic paint, satin varnish, 12″x 7.25″x 4″

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Kishiko, polymer clay, acrylic paint, wood drawer

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Cherieko, polymer clay, acrylic paint, varnish, wire, 2″ x 9″, wall-mounted

Links

Double Parlor, the Velasco’s Etsy shop

Double Parlor on Flickr

Interview on the Red Crow Anthologies

John Casey’s tutorial

Double Parlor in the Teeny Tiny Art Show at Three Graces Gallery
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high5 polymer clay: rachel carren

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Rachel Carren spent several years refining and exploring the air-filled pillow construction she used on these segmented brooches. The work, with stamped and printed imagery, is quietly elegant, sumptuous and refined.  I hope she allows us more than this small glimpse of her work – I would love to see a website to showcase all of her jewelry, wouldn’t you?

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William Morris Sebo Brooch Divided, polymer clay, 2009

From the PAA post about Carren’s William Morris Sebo Divided Brooch:

“Two custom patterns were sequentially hand screened onto variegated polymer sheeting. Each segment is comprised of two parts each of which is an air filled pillow like form that I developed. The two part segments are fitted together and then positioned on a base layer of polymer that has been highlighted with mica powder to become the background. A cut out is made and the two ends are pinched together to form the point. Finished with mica highlighted polymer detailing at center and points.” Rachel Carren

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William Morris Sebo Brooch, polymer clay, 2009


Find more photos like this on crafthaus

Carren, who has a Ph.D. in Art History, is a frequent contributor to Polymer Art Archive, a comprehensive online documentation of the history of polymer clay as an art medium. The Sebo brooch is part of Elise Winters’ (PAA founder) “Polymer Collection Project” and will likely become part of a museum’s permanent collection.  More information about that next month.

Links:

Carren on Crafthaus

Carren on Polymer Art Archive



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