web analytics

Search Results for: high5 polymer clay

high5 polymer clay: cynthia tinapple

Today’s posts will complete the High5 Polymer Clay series, but that doesn’t have to mean the end of your polymer clay exploration. Cynthia Tinapple has her finger on the pulse of what’s happening with the medium and since 2005 she has been sharing it on her blog, Polymer Clay Daily.

[nonmember]The remainder of this archived post is for Members Only. Click here to become a member or to get a one day pass. If you are a member, please login to view the post. [/nonmember]

[private_archives]

pcd_page

Dedicated to “showcasing the best polymer clay art online”, PCD is the premiere place to go to discover trends in polymer clay, read about new artists, and see what your old favorites are up to now. The popular blog has a loyal following of artists, design enthusiasts, crafters, teachers and collectors who check in each day to see what Tinapple has found.

tinapple_stones_multi_strand

Beach Stone Necklace, polymer clay

The Ohio artist, who has been working with polymer clay for over twenty years, seems most comfortable showcasing other artists, but occasionally shares pictures of her own work and process. Tinapple’s art shows the same care and meticulous attention to detail as her writing and editing and the results are always stunning. Take a look at some of her recent solo work-in-progress – she is still tweaking the multi strand “beach” necklace pictured above, which was inspired by Laura Timmins and Gera Scott Chandler.

tinapple_petroglyph1

Petroglyph experiments, polymer clay

tinapple_petroglyph2

She is also working on perfecting her petroglyphs and she told me she still hasn’t found “just the right solution” – she’s not quite satisfied yet, though she has tried inks, canes, stamps and stencils. They look ‘perfectly’ spectacular to me – I’m looking forward to the final version.

Tinapple and her husband, woodturner Blair Davis, often collaborate on turned wood bowls inlaid with polymer clay (check the links at the end of this post to see images). In October, their town’s first art center, a $6 million dollar facility, opens with a prestigious inaugural show that will include collaborative pieces by Tinapple and Davis.  I have no doubt that their art will be a hit at the Peggy R. McConnell Arts Center of Worthington – if you are in the area do stop by to see the show. The couple is busy creating work for the show and I’m sure she will share photos on PCD, so watch for them.

Come back this afternoon for my final post in this High5 Polymer Clay series.

Cynthia Tinapple’s Polymer Clay Daily

Remember when she decorated her wall with cane slices?

More of Tinapple’s polymer clay stones here and here (love that bowl!)

Don’t miss Blair Davis and Cynthia Tinapple’s bowls

Read the rest of the High5 Polymer Clay series here
[/private_archives]

high5 polymer clay: book review – polymer clay color inspirations

Whether color fascinates or frustrates you, Polymer Clay Color Inspirations: Techniques and Jewelry Projects for Creating Successful Palettes will be one of the most used reference books in your library.  Although geared towards use with polymer clay, this book is valuable to anyone working with color. Through clear explanations, diagrams and a series of exercises, Lindly Haunani and Maggie Maggio demystify color for the color-challenged (that would be me) and expertly guide readers on a journey designed to help you explore and analyze your color instincts and preferences as well as mix your own personal palette.

[nonmember]The remainder of this archived post is for Members Only. Click here to become a member or to get a one day pass. If you are a member, please login to view the post. [/nonmember]

[private_archives]

maggielindly_book

Polymer Clay Color Inspirations: Techniques and Jewelry Projects for Creating Successful Palettes

Cynthia Tinapple’s Forward is pure motivation to read the book:  “What I’ve found is that excellent color can rescue a mediocre design.  And color that’s off the mark or muddied can ruin the finest concept.  Your palette becomes your signature.  That signature is very personal.  It’s tied to culture and geography and weather.  It shifts with latitude, with attitude, and with age.  Learning about color means learning about yourself.”

collage

The start of a collage…more to come

There is a quiz to determine your confidence level in working with color.  Here’s the first line of the description beside my score: “You often feel overwhelmed when making color choices.” Yes, that about sums it up. Until now, I’ve made most of my color choices intuitively and while people usually respond well to the colors in my work I admit that I have never been confident about them – I often feel like they happened by accident.

This book – part textbook, part workbook and part self-help book, will be within arms length while I work in the studio. I’m learning how to understand color, find my personal color palette, choose colors for my next project, mix colors that work, play games with color and then put it all together. At my own pace.  In my own time. And you can too.

maggie_extraexercise

As an added bonus, Maggio is posting “Weekend Extras” to her blog – more guidance to help you through the exercises.  Don’t be shy, this is your chance to ask questions and a wonderful opportunity to connect directly with the author.

Thank you Maggie and Lindly – I am finally beginning to understand the language of color and I know I will come back to the book for years to come as I slowly develop my personal palette and use it in ways that will make my work sing.

From Elise Winters’ review and interview with Lindly on PAA:

“Color Inspirations has been designed to meet the needs of a wide audience. It should be of interest to newcomers who want to try polymer, as well as people who find color challenging. We wrote this book as well for people who might be interested in working with dyes, paints, even colored pencils. If somebody is interested in the dynamics of color, the science of color mixing, the aesthetic awareness of color choice, this book should provide lots of nourishment and inspiration.” Lindly Haunani

Read Elise Winters’ review and interview with Lindly Haunani on Polymer Art Archive

Maggie Maggio’s website and Weekend Extras

Lindly Haunani’s website

Lindly Haunani and Maggie Maggio will each present at Synergy2
[/private_archives]

high5 polymer clay: an update and new work from sarah shriver

I’m extending last week’s series, High5 Polymer Clay, through tomorrow so that I can include the posts I had planned to bring you before I became ill late last week. I’m still on the mend, so if the Universe cooperates I will have another post this afternoon and two on Tuesday.  Enjoy!

In the first few years that she worked with polymer clay, Sarah Shriver didn’t have a color palette she was comfortable with so she “stuck mostly with the bold graphic images using black, ivory, rust, burgundy and dabbling in blues.” This is hard to believe since today Shriver is known as much for her vivid color combinations as for her kaleidoscopic cane imagery.

[nonmember]The remainder of this archived post is for Members Only. Click here to become a member or to get a one day pass. If you are a member, please login to view the post. [/nonmember]

[private_archives]
 

shriver_artnouveauxbracelet

Art Nouveaux Bracelet, polymer clay, 2009

shriver_fridabracelet

Frida Bracelet, polymer clay, 2009

She credits Judith Skinner’s color blending method, now universally known as the Skinner Blend, as the tool that helped her incorporate color into the work. Shriver’s work is beautifully executed and the cane-building technique she uses to make the kaleidoscope images, though labor-intensive and time consuming, rewards her with brilliant color and pattern combinations that dazzle.

shriver_necklace

Untitled, 2009

Shriver has tweaked her colors and bead shapes just enough to make a difference in this new work, saying “They are simply the result of moving a little slower and taking a slightly harder look at form. I definitely move in a “baby step” progression but I like to think, ever forward.”

shriver_forestnecklace

Forest Necklace, 2008

The 2008 Forest Collar necklace, pictured above, is on the wish list of the Racine Art Museum. Shriver is working on a new website – hopefully we will see more of her new work soon.

From her artist statement:

“I build my canes fairly large (about 8 lbs and 4-5 inches in diameter) and work from a carefully worked out set of drawings. Often it takes me close to a month to complete a very elaborate cane with much of the time spent mixing and remixing sheets of color blends. I generally cut the original cane apart into several smaller canes and modify each one differently, using a technique of “kaleidoscoping” or mirroring. This results in a series of differently patterned but related canes.” Sarah Shriver

Links:

Sarah Shriver website

Sarah Shriver will present A Passion for Pattern at Synergy2

Read about the Polymer Collection Project and one of Shriver’s necklaces on Polymer Art Archive.

See Shriver’s earlier work here

Read an interview with the artist on Bead Nerd (more images there too)
[/private_archives]

Related Posts Plugin for WordPress, Blogger...