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With an interest in costume detail from Medevial and Elizabethian times, sculptor Jenny Ford often uses those details as a starting point for her sculptures. The ‘elongated point of a poulaine’ or a ‘precisely pleated ruff’ become beginnings for the organic, abstract forms she creates using hand-dyed silk velvet, organza and found objects.
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Contemporary fiber and textile artist Ursula Gerber Senger received her formal training as a construction draftswoman in Zurich, rounding out her course load with several art classes. In 1981 she started working with textiles and by the early 1990′s added metals to the materials she used to create textiles.
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